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On The Table Read, “the best creativity magazine in the UK“, poet Clare O’Brien talks about her love of David Bowie, and being inspired to write her new book, Who Am I Supposed To Be Driving?
Written by JJ Barnes
I interviewed Clare O’Brien about her life and career, being inspired by David Bowie, and the creative work that went into her latest poetry collection, Who Am I Supposed To Be Driving?
I’m a 64-year-old mother-of-two living in the Scottish Highlands, by the sea. I’ve lived here for 23 years, although I was born in south London, not far from where David Bowie grew up – in fact one of my schoolfriend’s big sisters used to babysit for him!
I’ve worked as a schoolteacher, a journalist, PA to the Director of Music at King’s College Cambridge, PR to a Scottish politician, and virtual assistant to an American rock star. Now my children have grown up, I live with my husband Alasdair, my Irish wolfhound Hamish and my black cat Daisy.
I‘ve always loved poetry and I dabbled a bit in my twenties after leaving university, but most of what I wrote back then was pretty bad!
After a long time when I was busy with child-rearing and work, I started writing seriously again in my 50s. It all gathered pace after a friend committed suicide. After that, I found writing a great help with dealing with the grief and shock.
This collection actually came together quite quickly. I wanted to write something about Bowie in the year he would have been 75, and then I saw a call for submissions from Hedgehog Poetry Press for 13 poems – a “baker’s dozen” – on a single theme. That spurred me into action! I chose 13 albums of Bowie’s which I thought I could write about, sat down with each one in turn, and immersed myself in the music and lyrics. In less than a month, I had the draft of the collection.
I’ve loved the work of David Bowie since I was about 14. Although I haven’t loved every single album he’s made over the years, he’s always been there in the background of my life, and sometimes in the foreground too. He’s always fascinated me as an artist and as a human being – how well he survived setbacks and challenges, how he kept his art fresh, how he adapted and changed in reaction to changing times. I am very drawn to ekphrastic poetry, and although most of the ekphrastic poems I’ve written have been in response to something visual like a painting or a photograph, I wanted to try the same approach with music.
Just fixing on a tone and an approach. I didn’t want the poems to sound like reviews or descriptions or commentaries. I wanted to try to get inside the world they created and respond with something original.
I don’t have a theme I consciously keep to, although some topics keep recurring! Looking at my poems I do seem to write a lot about the natural world, about technology, and about death.
That’s like choosing between children!! For personal reasons I’m very fond of ‘Electric Blue’, which is my response to the album ‘Low’. It’s about recovery. The album came after a particularly difficult period in Bowie’s life and it seems like he’s remaking himself after leaving the US for Europe. It’s a tender poem.
For this collection it wasn’t just a help, it was a necessity! I needed the music playing to get inside the worlds Bowie was creating. But that’s unusual – when I’m writing on other subjects, I prefer silence and no distractions.
Not really. I don’t think my editor at Hedgehog Poetry Press changed anything.
Do it for its own sake – almost nobody makes a living from poetry, and in spite of all the recent interest in performance poetry, for most people it’s more of a labour of love than a career move. If you feel moved to go out and perform your work, though, do – join a Zoom group, turn up at open mic sessions, accept any invitations you get to read on or off the internet. It’s very rewarding to see an audience appreciating your work up close, in real time.
I’m working on a second poetry collection now. It’s a full-length collection, called Huginn & Muninn after Odin’s ravens. Their names mean ‘thought’ and ‘memory’. It draws on mythology, but also on the way that’s reflected in everyday life, and the loss and trauma we all go through.
The poems in it were written at various points over the last five years, but I’ve only been trying to fit them into a collection for the last year or so. It still needs more content, and I’m taking it slowly because I want it to be good. On the back burner currently is a novel called Light Switch – it focuses on technology and the alienation it can create. I’ve written about half of that so far.
Yes. And especially because I got to collaborate with my son, Ruairdhri, who’s an artist in his 20s. He’s a lifelong Bowie fan, too, and he designed the fantastic front cover.
Author website (where you can order signed copies!) http://clarevobrien.weebly.com/
Buy from publisher: https://www.hedgehogpress.co.uk/product-category/for-sale/hoglets/clare-obrien/
Buy from Amazon: https://amzn.to/3KSS1AN
Twitter: https://twitter.com/ClareOBrien
Facebook: https://www.facebook.com/clareobrienwriter
Instagram: https://www.instagram.com/insturbances/
Who am I supposed to be driving? by Clare O’Brien is available now
ISBN: 978 191349 912 9 Paperback Hedgehog Poetry Press 2022 RRP: £7.99
Available through booksellers, the publisher & clareobrien.weebly.com.
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